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People also ask
What is the film La Strada about?
When Gelsomina (Giulietta Masina), a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò (Anthony Quinn) to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto (Richard Basehart), the carefree circus fool, and contemplates leaving Zampanò.
La Strada / Film synopsis
Is La Strada neorealism?
As film scholar Mark Shiel has pointed out, when it won the first Academy Award for Best Foreign Language Film in 1957, La Strada became the first film to win international success as an example of a new brand of neorealism, "bittersweet and self-conscious".
What is the theme of La Strada?
A melding of the neorealism in Fellini's past with the fable elements that were to dominate his future, La Strada is basically a three-character drama about the loneliness and the elusiveness of love. Using the grit of neorealism to combat any excessive sentimentality, Fellini...
How does La Strada end?
In La Strada the road ends at the water, the place where the road began. Gelsomina is no longer with Zampanò. He has lost her like he lost Rosa. No other human beside him, he is alone with the sound of the waves licking at the shore.
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Browse 36 la strada 1954 movie photos and images available, or start a new search to explore more photos and images.
La strada (The Road) is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano.
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La strada, 1954 hi-res stock photography and images - Alamy
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Rating
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La Strada. Classic film. One of Fellini's best. I have yet to watch the DVD I just ordered though. It will take some time though since I have a busy schedule.
La Strada movie review & film summary (1994) | Roger Ebert
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Apr 1, 1994 · The film intends us to take him as a free and cheerful spirit (the embodiment of Mind, Pauline Kael tells us, with Zampano as Body and Gelsomina ...
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